Pop filters for blue yeti: The 5 Best Blue Yeti Pop Filters

The 5 Best Blue Yeti Pop Filters

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Updated on Dec 22, 2021

If you’re looking for the best Blue Yeti pop filter on the market, then you’ve come to the right place. As great as the Blue Yeti might be, it can still greatly benefit from the use of a pop filter, as it is with any condenser microphone on the market.

Pop filters are essential for gaining the highest quality audio in our recordings. The value that they bring to the table is their elimination of Plosives, which are the audio-stopping sound most commonly caused by our use of the letters P, T, & K. If you’re reading this, you probably already know that but if not, these letters cause a significant spike in our audio that is horrible for you and your listeners. Sort of like blowing hard directly into the microphone.

The options we’ve selected for you today have been explicitly tested with the Blue Yeti USB so that we can ensure you get the most out of your next purchase. Whether you’re looking for a standard pop filter, foam windscreen, or a shock mount/pop filter pair, this list has everything you could need.

The Best Blue Yeti Pop Filters

Our Picks

  • 1. Blue The Pop Universal
  • 2. Aokeo Pop Filter
  • 3. Moukey Metal Pop Filter
  • 4. Aedor Foam Windscreen
  • 5. Sunmon Shock Mount With Pop Filter


Blue The Pop Universal

The Blue Pop Filter is obviously a very popular choice thanks to the shared brand name. The rectangular design is also pretty unique and offers a cool aesthetic for your recording setup.

Blue The Pop Universal Pop Filter

In terms of how effective it is as a pop filter, I think you’ll find the Blue Pop Filter does an excellent job at filtering out plosive sounds, softening up your B’s, P’s & T’s. The noticeable distinction with this option is that it’s made of metal, not as expected. On several occasions, I’ve run tests to see the actual difference between mesh pop filters and metal ones, and I’m going to share the few minimal details I’ve noticed with you.

I’ve noticed the metal and mesh options that the metal one allows more high frequencies to pass through. The effect of a plosive sound, in general, includes a lot of frequencies on the high-end, so it could be beneficial for you if you want that level of impact. I like to limit my high frequencies, but that’s purely preference. Overall, great choice and has the Blue name.

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Aokeo Pop Filter

The Aokeo Pop Filter is a much more affordable option compared to the above. But don’t let the low price fool you! This option has a lot of cool features, and you’ll find it’s very effective. For most beginners or those looking to save, pay attention!

Aokeo Professional Pop Filter

The Aokeo Pop Filter uses a dual-layer design, with the first blocking air blasts (the plosives) with space between the second layer, to trap that pressure. This is an interesting technique and certainly does the job. I was quite curious about it, as when building my pop filters, they didn’t work as well. So I tried making one with two (spaced-out) layers, and it did make a difference!

When it comes to anything, I love the flexibility. My favorite feature, however, is the goose-neck design. If you do podcasting or anything that isn’t traditional studio recording, it’s a great pop filter to have since you can bend it around with your boom-arm stands.

The only real downside is it doesn’t stay in place all the time. A pretty small price to pay, if you ask me.

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Moukey Metal Pop Filter

So, the last option had two layers and was made of mesh. The Moukey Metal Pop Filter uses 3 layers made out of metal! I know you must be dying to hear how it compares to the last choice with these drastic differences, and I can say that I did notice some differences, but they weren’t crazy. Oh, did I mention it comes with a shock mount, too?

Moukey Metal Panel Pop Filter

The Moukey Metal Pop Filter is a u-shaped filter with 3 layers for offering you the maximum quality. The first layer is a large metal mesh, followed by a foam layer, finishing with a finer metal layer. The audio I tested came out clear, but more importantly, this filter is a lot more durable than the mesh options. I’ve been guilty of snapping the cheaper plastic options by accident, so it’s nice to trust the physical quality of this pop filter.

The shock mount sweetens the pot for me, however. Shockmounts will absorb vibrations on your microphone, whether it’s from the stand being bumped or just general swaying. These environmental noises can be just as harmful as plosives, so if you don’t already have a shock mount, definitely give this pop filter some extra consideration. It’s a great choice, and not very expensive!

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Aedor Foam Windscreen

This next option is slightly different from a pop filter but can still be quite effective and beneficial. The Aedor Foam Windscreen is going to protect both your microphone and your audio, as it can reduce background noise and protect the capsule from dust & moisture.

Aedor Foam Windscreen Pop Filter for Blue Yeti

I love windscreens for how they reduce the general background noise with condenser microphones. It also filters out plosives but with more high-frequency loss than other choices. For people doing voice-over work, this can be nice. I know YouTubers like to use it for that specific reason, especially if their voice is on the high side. Windscreens like the Aedor Foam Windscreen are also popular with podcasting mics such as the Shure SM7B, which comes with a windscreen in the box.

The last thing I want to say about this choice is that it was designed specifically for the Blue Yeti. If you have a base model, its going to fit perfectly over the capsule and look amazing.

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Sunmon Shock Mount With Pop Filter

Our last choice is a bit more pricey, but comes with a quality screen & a shock mount. If you want the best option, the Sunmon Shock Mount With Pop Filter might be for you.

Sunmon Shock Mount with Pop Filter For Blue Yeti

This option uses a professional pop filter that works just as great (if not better) than the others on this list. After several tests, I concluded that the pop filter has an outstanding balance with the high frequencies, giving off a natural sound. It’s like you can’t even tell it’s there. The only downside is that it’s not a great choice unless you know you’re going to be using the shock mount, as it’s designed to be screwed into it.

The shock mount is also of great quality. It’s made with plastic, which isn’t always the best, but the thin, lightweight design is impressive. Most shock mounts are thicker, and for plastic options, typically less durable. I found the Sunmon Shock Mount With Pop Filter to actually be really durable, not flimsy like others I’ve used in the past. In terms of how effective it is, I can’t complain. I noticed some noise if I kick the microphone stand pretty hard, but what do you expect. Overall, this is the finest choice you’ll find for under $50.

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We hope that you were able to find the best Blue Yeti pop filter for your needs with this list. While it’s tempting to go with the top choice due to the shared brand name, there is a great benefit in some of our other selections. The Sunmon Shock Mount With Pop Filter is one of my favorite choices on the list due to the additional accessory. As we mentioned, shock mounts are just as valuable to your audio as the pop filter. While we recommended these options for the Blue Yeti, they also work great with any other USB microphone or XLR microphone.

If you purchase one of our recommended pop filters, let us know down in the comments below! We’re always looking for feedback on our recommendations so we can help better serve your needs. If you think we’ve made a poor recommendation or that we’re missing something, we’re always open to suggestions! Let us know what you think.

Posted on Dec 04, 2020


Have questions for us? Email us at [email protected]

Do I Need A Pop Filter For A Blue Yeti Microphone? – Musicians HQ

Sometimes when Musicians HQ mentions gear, we’ll include our affiliate link & may earn a commission at no cost to you. This doesn’t impact the products we mention.

When recording audio with a microphone, you sometimes end up with an annoying popping sound in the background. A pop filter is one recommended way to prevent these popping sounds, but is it necessary with a Blue Yeti microphone?

Yes, regardless of what brand of microphone you are using, you should try to use a pop filter. Pop filters are very cheap – only a few tens of dollars even for the best ones – so they are undoubtedly worth buying. Without a pop filter, you could end up with occasional popping sounds in the background of the audio the microphone records.

Why are pop filters required for a blue yeti?

Popping sounds occur on microphone recordings usually caused by saying or singing words containing the letters b or p.

If you put your hand just in front of your mount and try saying a few words beginning with the letter P or B (puppy or biscuit for example), you will notice a small puff of air when you say those particular letters.

In contrast, keep your hand there and try some words containing softer sounds (orange or rice for example) and you will notice no sharp puffs of air.

These puffs of air caused by these letters are referred to as plosives. This is a phenomenon that affects all microphones, including the blue yeti.

Why are plosives bad news for recording?

This puff of air causes a sharp spike in the volume of the recording picked up by the microphone. This sharp rise in volume will lead to clipping, a distorted sound when the soundwave peaks above the ‘maximum output volume’.

You can see from the image below, which shows a basic soundwave that there is a certain amount of ‘headroom’ in an audio signal when you are recording which allows you to raise the volume slightly as you talk or sing softly and more loudly.

But a plosive causes such a jump in volume that the sound wave goes above the maximum output amplitude and that part of the soundwave is simply lost (clipped off).

The reason this is such bad news is that there is no real way to get that clipped sound back. The data is never captured by your recording software.

It is very difficult to edit your audio recording to get rid of plosives afterward and keep it sounding normal.

There is nothing worse than getting to the end of a podcast interview or perfect vocal take and realizing you have to do it all again!

How does a pop filter help?

A pop filter is one of the easiest ways to avoid these popping sounds.

It is effectively a small shield that you place between yourself and the microphone to stop those annoying blasts of air from plosive sounds.

The pop filter contains a semi-transparent material. This could be densely woven, tightly stretched nylon on cheaper models like the one in the picture below.

Or it could be a metal grill on more expensive models.

It is a very low tech device compared to many other things in the home recording studio. But it doesn’t need to be any more complicated than this.

A good microphone such as a blue yeti deserves and requires a good pop filter.

What type of pop filter should I use with a Blue Yeti?

Several different pop filters work well to reduce popping sounds with a blue yeti microphone.

There is a filter that is made by the same manufacturer, which may be the best choice. But there are many different pop filters that work well with the blue yeti, even though they were not specifically designed for it.

The company that created the blue yeti also created a pop filter for their company’s microphone. This is the blue universal pop filter. One great thing about this pop filter is how flexible it is. You can attach it to the stand that holds the microphone and adjust it to the exact position you want.

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The pop filter I personally use is the Auphonix 6-Inch Pop Filter. It works fine most of the time, you can simply attach it to the bass of the Blue Yeti or if you are using a microphone stand you can attach it to that.

Check price on Amazon

Be wary of buying a metal shield type pop filter such as this one. As they specifically state they are not suitable for the Blue Yeti.

What distance should a pop filter be from the Blue Yeti?

Some people assume a pop filter should be placed right up against the microphone. But actually they are more effective when placed further away.

The pop filter spreads the sharp sound caused by the plosive noises in all directions, stopping the sharp gust of air hitting the microphone in one spot. But it still needs some space to do this, which it won’t have if you place it right next to the microphone.

The usual best practice rule is between 2 and 3 inches from the microphone.

This gives enough space for the plosive noise to spread out but it means you aren’t so far away that you risk losing quality and detail in the vocal recording.

Is a windscreen the same as a pop filter?

You will probably recognize these devices from news reporters’ microphones. They are small caps often made of foam that fit over the end of the microphone.

They are there to serve a similar function as the pop filter. Except instead of shielding the microphone from unwanted wind caused by your voice, they shield it from unwanted wind caused by the weather.

Windscreens are great if you are planning on doing recording outside or on the move. Potentially podcast interviews where you won’t always be in your own studio.

You may be tempted to just get a windscreen instead of a pop filter as they are cheaper and don’t tend to ‘get in the way’ as much. However, if you aren’t going to be out and about and most of your recording is to be done in your home studio, a pop filter is still a better option.

Windscreens do soften plosive sounds but they don’t guarantee the complete elimination of them. I have recorded on the move with a windshield and still ended up with plosive sounds.

If you want to guarantee a smooth recording with your Blue Yeti I would recommend getting a pop filter.

Other ways to stop plosives in the meantime

So you may have ordered your pop filter but are waiting for it to arrive. Or perhaps you want to know what to do if you ever find yourself recording without one.

Well, there are a few tips and tricks of how to record without one and minimize those plosive sounds.

You can, to some extent, consciously avoid blowing too much air toward the microphone when speaking into it. Being especially careful when speaking words that contain b and p sounds.

You can also make sure to speak into a microphone at the right distance. If you are too far away, the audio will be too quiet, and if you are too close, the mic will record unwanted noises. You can test your microphone by using words that start with b or p at different distances. See how close you can get to the microphone without causing popping sounds.

Another trick is to avoid aiming your mouth
directly at the microphone. Aim your mouth just slightly to the side of it.
Your mic will still record your voice loud and clear without you speaking
directly at it. Gusts of air must hit your microphone straight on to cause
popping sounds.

Can you make your own pop filter?

Yes, although it could sound worse and not be as reliable as a good store-bought filter.

Merely putting a sock over the microphone might be enough to prevent popping sounds, but the audio quality will be unacceptably low.

If you want to give making a pop filter yourself a try, you should use nylon rather than cotton. Nylon will not reduce the quality of the sound nearly as much as most fabrics will.

Attaching nylon to a metal disc of the right size might give you a passable filter. You will also need a way of attaching the disk to your microphone. Using bendable but strong metal wire, such as a coat hanger, might be the best way to go. It might work half decently well if you do a good job making it, but a store-bought filter is better. Store-bought filters are also much more adjustable than anything you could make by hand.

The video below shows you how to do this step by step.

Can I use two pop filters to be extra safe?

It should not be necessary to do this. A single filter, unless it is of poor quality, should be more than enough to prevent the air from getting through. Some people might get good results with two filters, but a single filter should be enough. Two filters may reduce the quality of your voice recording.

Concluding remarks

So in conclusion, it is well worth investing in a pop filter for your Blue Yeti microphone.

In relation to most equipment in a home recording studio, they are very cheap. And although you can use techniques and tricks to try and minimize plosive sounds. A pop filter will give you peace of mind to so you can speak or sing loudly and clearly directly into the microphone without worrying about the recording being ruined.

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Microphone pop filter blue yeti

Microphone Bee Life 360°Gooseneck Stabilization…


Very good


4. 0

🎤 microphones, 💼 Accessories and consumables


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Description Microphone Bee Life 360°Gooseneck Stabilization Broadcasting

WHAT IS DOUBLE LAYER POP FILTER? -Have you ever seen footage of your favorite artist recording their vocals in a studio? Most likely, you saw a strange black circle standing between them and the microphone of the blue yeti. The pop filter, pop screen, or pop screen is a circle of nylon mesh that is located a few inches from the microphone. It is attached to the microphone. stand with 360° adjustable metal fastening on a flexible neck. Pop filters also protect the condenser microphone from saliva. WHY DO THE FLAPPING SOUNDS HAPPEN? As a rule, explosive sounds are heard when pronouncing letters such as …

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It won’t stay in place, slipping even under the strongest tension.

Jeff W. Westra

Level 1

1263 Review

70 Karma

Thing doesn’t like to lie down. I tried it in so many different positions and it slipped off within a minute (I tightened it to the point where it couldn’t be tightened). It’s the only way he stops


  • WHAT IS A DOUBLE POP FILTER? Have you ever seen footage of your favorite artist recording their vocals in a studio? Most likely, you saw a strange black circle standing between you and the Blue Yeti’s microphone. A pop filter, pop screen, or pop screen is a ring of nylon fabric that is placed a few inches from the microphone. Stand with 360° adjustable metal nozzle on a flexible neck. Pop filters also protect the condenser microphone from saliva.


  • Very expensive

Professional windscreen

David R. Reyes

Level 1

1282 Review

37 Karma

I’ve been a professional TV presenter for over 40 years and I’m excited about the growth of podcasting and home production. I bought a HyperX Quadcast microphone for home use and found it needed a pop-up screen so I bought this one to give it a try. This works great. I place it about an inch from the microphone and it allows me to get close to the microphone for an “intimate” sound without explosives. I still talk a little through the screen instead of directly into it for the best effect…


  • EJT POP FILTER BENEFITS! Size – 6″ double pop filter almost fits into the microphone. Connections. The EJT pop filter has a sturdy 360° adjustable gooseneck. Adjustable scratch-resistant screw clamp allows you to attach a variety of tubular mounting stands or microphone stands. How to protect your devices from damage. Perfect for beginners to eliminate explosion noise when singing, recording vocals, live streaming and TikTok audio production.


  • weak

Great pop screen at an affordable price – get creative!

Leslie M. Matlak

1 Level

1252 Review

76 Karma

I recently bought this Fifine k678 usb microphone pop filter which is almost accurate copy of the blue Yeti. This pop filter is great for softening harsh “P” and “S” sounds, but only after you figure out how to place it on a mic stand. I’ve seen a lot of feedback that the clamp either “doesn’t fit” or is “unstable and wobbly”, which I agreed with when I first saw the clamp and tried to mount it on a mic stand. I did some critical thinking and…


  • JOIN US. More than 50,000 music lovers have tested this version 4.5 product, and EJT will continue to provide quality products and services to provide a 100% satisfaction guarantee to more members.


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